Bachelorette

 Is the new form of entertainment to be as crude and disgusting as you can be? Is that what passes for art these days? I cannot deny that I disliked Leslye Headland’s Bachelorette, now at Big Idea Theater.  I disliked it a lot, though it was peopled with six talented actors who portrayed their highly unlikable characters very well -- its only redeeming quality!

It is set in a New York hotel suite, decorated for a wedding, with stacks of gifts and an offstage bathtub filled with bottles of champagne. Into the room burst Gena (Leah Daugherty) and Katie (Taylor Fleer), both very high and laughing. Every sentence contains the F word. They discover the champagne and each take a bottle and begin to drink, as they trash the apartment. Regan (Taylor Vaughan) arrives. She is the maid of honor but hates the bride (Shelby Vockel) and has invited the other two because she knows the bride does not like them. The word "fat" is used many times as an insult which I, as a fat person, found distasteful. I hurt for the bride. (The word "retarded" is also used a lot, which many will find offensive.)

Two men, Jeff (Russell Dow) and Joe (Jacob Garcia) that the girls picked up at the bar arrive. Simulated sex and possible rape is added to the drugs, and alcohol. There is vomiting on stage.

Maybe this is the wave of the future, but I don’t want to be entertained by watching the worst of people, especially women.

Three Days of Rain

Photo by Yarcenia Garcia

Siblings Walker (Eric Baldwin) and Nan (Beth Edwards) are the central figures in Richard Greenberg’s engrossing drama, “Three Days of Rain,” now at Big Idea Theater, directed by Shaleen Schmutzer-Smith. It is about what Walker and Nan believe about their family history, particularly the mind of their emotionally distant world famous architect father, and what they want to find out, based on the father’s enigmatic journal Walker has found, which gives tantalizing hints about their parents’ past.

When the father’s will gives his prized accomplishment, a famous home once featured in Life magazine, to Pip (Ryan Snyder), the son of his collaborator, it is a blow that none of the trio can understand.

Act 2 is set 35 years earlier, with the actors playing their parents and giving the audience answers to the some (but not all) of the questions posed in Act 1.

This is a strong trio of actors.  Baldwin gives and honest and gut wrenching performance as Walker, but it is as Ned, his reserved, stuttering father, where he really shines.

Edwards is a strong Nan, who loves her brother, but can’t quite trust him, since he has disappointed her so often.  As mother Lina, she is less like the described “Zelda Fitzgerald’s less stable sister” and it is difficult to see how she became the mentally needy, alcoholic mother described in Act 1.

Snyder is wonderful as the suave handsome TV idol Pip, and also deftly plays the emotionally unstable Theo, whose untimely death will affect everyone forever.

Though the second act seems rushed, trying to fit in too much too quickly, following the more solid first act, this is a compelling drama certain to satisfy.

Four Stars