It is also important to remember, in the 21st century, this is a somewhat historical look at what life was like in the 1950s business world, where nobody thought anything about sexual harassment and women only worked so they could find a husband and settle down in the suburbs to raise a family and “keep dinner warm” for their hard-working husband, trying to rise to the top.
With that in mind, enjoy numbers like “Coffee Break” — what happens when everybody takes their break and there is no coffee. This is one of the better numbers in the show, and is a wonderful example of Ron Cisneros’ always-fun choreography.
There are outstanding performances in this production, directed by Steve Isaacson. Daniel Silva is wonderful as J. Pierrepont Finch, the window washer who decides to climb the corporate ladder with assistance from a 1952 self-help book by Shepard Mead. (David Holmes is the off-stage voice of Mead as he reads aloud what Finch is reading.)
Scott Minor is the perfect president of the World Wide Wickets Company, J.B. Biggley, whose overpowering presence takes charge so that you don’t even realize what a fabulous voice he has until he joins with femme fatale Hedy LaRue (Sarah Kraemer) in a beautiful duet, “Love From a Heart of Gold.”
Kraemer is a Kewpie Doll kind of escort and could easily play Adelaide in “Guys and Dolls.” Her job is to be the dumb mistress trying to find a place in Biggley’s corporation, and she does it well.
Chris Colbourn is the detestable Bud Frump, Biggley’s wife’s nephew, the worst case of nepotism. But Colbourn has made this role unique and you can’t take your eyes off of him when he tosses off one of his quips. It is a very memorable portrayal.
This is also an excellent vehicle for DMTC veteran Danette Vasser as Smitty, best friend of Rosemary (Jori Gonzales), Finch’s love interest. Vasser is also credited for lighting design and her pin spots for the angelic-faced Finch throughout the show are much fun.
As for Gonzales, she makes a lovely girlfriend for Finch, but her delivery often did not reach beyond the first two rows and it was difficult to hear a lot of dialog.
This is a surprisingly heavy dialog show, for a musical. Act 1 seems to drag a bit because of the length of time between the musical numbers, filled with dialog that may or may not be audible to the audience.
In the minor role of Miss Jones, secretary to Mr. Biggley, Chris Cay Stewart is the perfect stereotypical corporate secretary until she cuts loose during “Brotherhood of Man.”
“Brotherhood of Man” may be the best known of this musical’s numbers, written by Frank Loesser. It is the penultimate number in the show and will send the audience out with solid ear worms.
Veteran Mary Young, who sings in the chorus, is invaluable, lending her voice just a bit louder on those rare occasions when the women don’t quite hit the notes right. Like a herding dog, she gets them all back in order almost immediately, and then fades back into the chorus. It’s a marvelous bit of teamwork.
DMTC has a fun production here and it should bring lots of laughs for the audience.
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