|Ruth (Gia Battista) gets a lift from the Brazilian cadets in |
Davis Shakespeare Ensemble's “Wonderful Town” on stage through Aug. 6.
Yarcenia Garcia/Courtesy photo
The Davis Shakespeare Festival has strong entries for its 2017 season. Opening with “The Three Musketeers” and “Wonderful Town,” the festival will close in October with “Midsummer Night’s Dream.”
Sisters Gia and Gabby Battista play the Sherwood sisters Ruth (Gia) and Eileen (Gabby), who have “escaped” their childhood home in Ohio and come to the Big Apple for all of the opportunities they believe it offers.
Ruth is an aspiring writer, while Eileen wants to break into show business. Along the way they feel like fish out of water and have to learn how to become part of that crazy world that is New York.
The musical is based on the stories of Ruth McKenney and was first produced as a play (“My Sister Eileen”) by Joseph Fields and Jerome Chodorov. The music is by Leonard Bernstein, with lyrics by Betty Comden and Adolph Green.
The festival director for this musical is Dennis Beasley, who made such an impression with “Bells are Ringing” last season.
“Bells are Ringing” has a “thin plot,” I said last summer, but the show was fabulous. If that plot is thin, “Wonderful Town’s” plot is even thinner. It is more a study of stereotypical New York types, and Beasley’s cast is so strong that it makes for an enjoyable production.
The girls first learn that lodging is much too expensive until they meet unscrupulous landlord Mr. Appopolous (Kevin Caravalho), who rents them a basement apartment recently vacated by Violet (Annie Dick), who was running a bordello. The apartment is below the street level within clear view of passersby who lean over and look through the windows, and is near periodic explosions from subway constructions.
The multi-talented Caravalho, who plays Cardinal Richelieu in the festival’s other production, “The Three Musketeers” also plays several other members of the ensemble (as do most of the actors). While Caravalho is wonderful in each of his roles, he has such a “unique” appearance, it is often not clear whether he is Appopolous or some other character.
Others in the apartment house include Helen (Andrea J. Love), living with her muscle-bound boyfriend Wreck (Brian Bohlender), who is not strong in the brains department but he sure could “pass that football” in his days as a player. The couple are trying to hide their relationship from Helen’s snooty mother (Jessica Woehler).
Eileen seems to be a dude magnet and all men who meet her fall for her. This includes Ian Hopps, as Frank, who works for Walgreens and sees that Eileen eats for free there every day. Hopps was the romantic lead in last summer’s “Bells are Ringing,” and while Frank is quite a different character, he still makes an impact.
Kyle Stoner is Chick Clark, a sleazy newspaper editor who has designs on Eileen, while J.R. Yancher is Bob Baker, reader for a magazine who lets Ruth know her stories have no chance of ever being published.
There are several beautiful songs, like the lush duet “Ohio,” sung by the sisters when they suffer homesickness. The Battista women have voices that blend together beautifully, like rich melted chocolate.
Gia has several moments to shine in her songs about “One Hundred Easy Ways” and the plaintive “Quiet Ruth.”
Choreography is by Katie Peters and includes everything from Irish jig to swing, to a lively “Conga” by Eileen and a bunch of Brazilian cadets. Music is provided by the on-stage seven-member orchestra, under the direction of David Taylor-Gomes.
From top to bottom, this is a fun production with a strong cast and it shows that the Davis Shakespeare Ensemble continues to grow and thrive.
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