Hairspray`

Do you have fake-news fatigue? Are you tired of tweets? Are you throwing things at TV talking heads? I have the perfect solution for you.

Get on over to Woodland and see the fabulous, high-spirited production of “Hairspray,” directed by Angela Baltezore. There is not a weak spot in this show, there are incredibly good actors, and in the end you’ll want to raise your hands in the air, with the cast, in the manner of last-act finale. You’ll go home humming “You can’t top the beat.”

“Hairspray” is the story of Tracy Turnblad, a zaftig teenager who is a fan of the 1960s American Bandstand-type show, “The Corny Collins Show.” She auditions for a spot on the show, wins and becomes an overnight celebrity — to the consternation of the show’s producer, who is also an avid stage mother pushing her daughter to eventual stardom.

Can Tracy, who has a wonderful heart, stay the course and succeed in integrating the all-white show so her friends from the African-American community can dance with her?

The success of this show depends in large measure on Tracy and her mother, Edna. Carlie Robinson is making her Opera House debut as Tracy. She has an infectious smile that brightens the room and her ebullience makes her impossible to ignore. It’s a perfect casting. She is militantly cheerful, even when things are at their most bleak.

When the John Waters non-musical stage play opened on Broadway in 1988, it starred drag queen Divine in the gender-bending role of Edna, Tracy’s mother. When Mark O’Donnell, Thomas Meehan and Marc Shaiman turned it into a musical (which won eight Tony Awards), Harvey Fierstein took on the role of Edna, (one of the Tonys). When a movie of the musical was made in 2007, John Travolta played Edna, but his performance was always “John Travolta-plays-Edna” and he never really believably became the character.

The same cannot be said for Jason Hammond who is outstanding as the mother who has not left her home in years because she’s ashamed of her weight. She makes her living by doing laundry for others. She loves and is protective of her daughter and her relationship with husband Wilbur (Bob Cooner) is beautiful to see. Their duet, “You’re Timeless to Me” was such a hit that they did an encore.

Tracy’s best friend Penny is played by the talented Katie Halls, who, though she is a second banana to Tracy, makes the most of her scenes, particularly those with “Seaweed” (Michael-David Smith), the “Negro” who becomes her dancing partner and love interest. Both Halls and Smith give powerful performances.

Deborah Hammond (Jason’s real-life wife) is Motormouth Maybelle, the owner of a downtown record shop and the host of “Negro Day” (once a month) on “The Corny Collins Show.” Hammond has a set of pipes that will tear the roof off of the Opera House and her “I Know Where I’ve Been” brought cheers from the audience.

Patricia Glass is Velma, the villainess of the piece. She is mother to Amber (McKinley Carlisle) and determined to keep her daughter in the spotlight, but she sees Tracy as a threat. Often her songs, sung with sneered lips, are reminiscent of some of the Disney villainesses, like Cruella de Vil, and she succeeds at being detestable.

Amber is a spoiled brat who thinks the sun rises and sets on her and can’t stand Tracy stealing not only her thunder, but also her boyfriend Link (Ryan Everitt), the hunk with a heart who realizes that there are things more important than being the star of a music show.

Choreography by Staci Arriaga is wonderful and executed flawlessly by the 29-person cast. More than one person in the audience got up to dance with the cast during the finale.

Set design by Craig and Joey Vincent works beautifully and the TV set for the final scene is perfect.

Denise Miles has created some beautiful costumes, particularly those for Edna.

I promise that as you leave the theater there will only be happy thoughts in your head and you will turn to each other, as my husband did to me, with only one word to describe it all: “Wow!”

Hairspray

You just can’t stop the beat going on at the Davis Musical Theatre Company these days. A sparkling new production of “Hairspray,” directed by Jason Hammond, opened last week to a sold-out house of cheering fans, whose enjoyment of the show only served to heighten the feeling of joy as the show came to an end.

 “Hairspray” is a stage show based on the 1988 John Waters film, brought to the stage with a book by Mark O’Donnell and Thomas Meehan, music by Marc Shaiman, lyrics by Scott Wittman and Shaiman. DMTC has created a big show with a cast of almost 40 and a 17-piece orchestra. Sets by Mark and Christine Deamer are representative of the era (1960s Baltimore) rather than literal, and give the whole stage kind of a “Jetsons”-esque cartoon-like appearance, which allows for moving the various set pieces in and out easily.

 This is the story of idealistic Tracy Turnblad (Eimi Taormina) who just loves to dance to the music on “The Corny Collins Show,” modeled after “American Bandstand,” and featuring Matt Taloff as Corny Collins. Her favorite day of the month is “Negro Day,” when black kids take over the set. She loves their music and is staunchly in favor of integration. Though there is a story line of racial inequality, integration, interracial friendship and love, it is Tracy’s story, that of a social misfit who desperately just wants to be herself, that takes center stage. Tracy is a girl with a big dream who isn’t going to let the fact that she can’t fit into a size 2 rain on her parade. She believes in the goodness of people, the equality of everyone and in taking a stand for what you know is right.

 I have watched with pleasure as Taormina has risen from bit parts to more substantial roles with DMTC. With “Hairspray,” she has come into her own fully as a leading lady. She simply makes this show, with an irrepressible personality and a sparkle that just won’t quit.

Tracy’s mother is Edna, a laundress who once had dreams of fame and fortune, but as her weight has soared, her self-esteem has dipped so low she “hasn’t left the house since Mamie Eisenhower rolled her hose and bobbed her bangs.” The loves of her life are her daughter Tracy and her husband, Wilbur (Andy Hyun), a novelty store owner. Edna is afraid her little girl is going to be hurt by trying to follow her dreams in a world where thin is in.

The role of Edna was played in the movie by drag queen Divine and on the stage by Harvey Fierstein. Stepping into the house dress and pumps for DMTC is Scott Minor, who puts a lot of oomph into his characterization.

Hyun, is, of course, wonderful in his role as Tracy’s father, the only negative being that the age disparity between himself and Minor can’t be solved with gray for his hair. But if you can get past the visual, he’s great.

 Outstanding is Danielle Hansen as Tracy’s best friend, Penny Pingleton. Everybody should have a BFF like Penny. She begins to come into her own when the sight of Seaweed Stubbs (Erik Catalan) sets her heart going pitter-patter.

Seaweed’s mother, the rhyming couplet-spouting Motormouth Maybelle, the host of the show on “Negro Day,” is given a dazzling performance by Deborah Hammond.

 Emily Jo Seminoff is another young actress whose progress I have enjoyed watching at DMTC. In this, she becomes the bad girl, Amber Von Tussle, the most popular girl (she thinks) on “The Corny Collins Show” and ready to assume the crown as Miss Hairspray. She plays the role to the hilt.

Patricia Glass is Amber’s mother, the producer of the show, who is certain her daughter will skyrocket to fame and is willing to do anything to make that happen. Together, Seminoff and Glass are the villains you love to hate.

Of all amazing wigs in this production (designed by director Hammond), Glass may have the most bizarre. It’s difficult to look at its sharp angles and not think of the Farrelly brothers’ comedy film, “There’s Something about Mary.”

Alex Cesena plays Link Larkin, supposedly Amber’s boyfriend, but whose life is changed by meeting idealistic Tracy. He sings well and ultimately makes a very ardent and tender-hearted boyfriend.

 “Hairspray” takes the audience back to a more carefree time, and when the cast sings the finale, “You Can’t Stop the Beat,” Tracy has won the hearts not only of Baltimore, but of Davis as well.