Little Shop of Horrors

It’s always interesting when a director takes a new approach to a familiar show. Sometimes it works, sometimes not so much.

Based on the Roger Corman 1960 film of the same name, the musical “Little Shop of Horrors,” with book and lyrics by the late Howard Ashman and music by Alan Menken, had its world premiere off Broadway in 1982, where it ran for more than 2,200 performances.

The movie musical version, starring Rick Moranis and Steve Martin, was produced in 1986, and in 2003, “Little Shop of Horrors” hit the big time with a real on-Broadway production.
A new production, directed by Jason Hammond, opened last weekend at the Woodland Opera House.

“Little Shop” is the story of Seymour Krelborn (Spencer Alexander), a nerdy employee at Mushnik’s Florist shop, a failing business on Skid Row. Seymour, somewhat of an experimental botanist, bought an odd plant from a Chinese flower shop during a solar eclipse. He named the plant “Audrey II” to honor his colleague, Audrey (Christianne Klein), for whom he has tender feelings.

Audrey, however, is in an abusive relationship with a dentist Orin Scrivello (Dan Sattel), whose mother encouraged him to go into dentistry because of his love of inflicting pain.

Audrey convinces Mr. Mushnik (Gil Sebastian) to display Audrey II in the window of his shop and it begins to attract customers. But the plant soon starts dying because Seymour can’t figure out what to feed it. Accidentally pricking his finger, he then discovers Audrey II needs human blood to thrive.

Seymour is in the position of having to find more and more blood to feed his plant, while the plant grows to eventually practically take over the flower shop, when Seymour finally learns the terrible truth about her.

Traditionally, Audrey II is a large blob of fabric that has an opening through which food can be tossed. An unseen puppeteer manipulates the plant while its voice, sounding like the voice of Satan, booms out ominously from a speaker somewhere.

In this production, Audrey II looks more like — sorry I have to say it — a giant vagina, with a gaping opening through which the indomitable Deborah Hammond stands and sings as the voice of the plant. Though Hammond is definitely menacing, it just doesn’t give the same degree of horror as the original staging.
The actors, however, are excellent. Alexander is a wonderful nerd, uneasy, especially around Audrey. He’s uncomfortable in his new role as celebrity as the fame of Audrey II spreads. And he is both horrified and repulsed by the things he is willing to do to keep Audrey alive.

Klein is sweet as the ditsy Audrey who believes she is unworthy of anyone but an abusive male because she is a woman with “a past.” Yet she fails to recognize that Seymour is in love with her.
Actually, anyone would fall in love with her as she sings “Somewhere That’s Green,” her wistful wish for her perfect dream life. I liked that Klein used a Bronx accent, but didn’t go overboard with it, as some actresses do.

When Audrey and Seymour finally confess their feelings for each other, their duet “Suddenly Seymour” is a lovely break from all the horror going on in their lives.

Sebastian was an appropriately grouchy and blustery Mr. Mushnik, who rescued Seymour from a Skid Row orphanage and gave him a bed under the shop counter and allows him one Sunday off every two weeks. He is not above offering to adopt Seymour if it will ensure that he will keep Audrey II at the flower shop.

Doing his best to steal the show in the small, but important role of the nitrous oxide-sniffing dentist Orin Scrivello, Sattel is deliciously unlikable. A Michael Imperioli lookalike, Sattel is also able to transform himself rapidly into several other small roles, with several looks, including that of a woman.

The trio of doo-wop singers who act as a quasi Greek chorus throughout the show are Emily Jo Seminoff, Julia Spangler and Erin Bruni. They each get a moment to shine and display their strong voices.

Also, Lenore Sebastian appears in the small role of a Skid Row homeless woman. A consummate actress, Sebastian makes the most of her character, though she has no lines to speak.

Jason Hammond and Denise Miles are credited with costume design. Those for Audrey are particularly appropriate while the red gown for Hammond is stunning, and the transformation of the girls’ trio from drab Skid Row clothes to sequined dresses was fun.

Special mention should be made of the small orchestra — Jia-Min Rosendale, Dale Proctor, Scott Plamondon, Alex Rieff and Dave Gill — who provided the perfect accompaniment.

There is no great message in this show, unless it’s “if you find a strange plant which appears suddenly following a total eclipse of the sun, walk by and leave it alone.” But this musical is fun for the whole family.

Little Shop of Horrors

If I had any houseplants, I would not feed them after seeing what happens with Audrey II, the strange plant intent on world domination.

“Little Shop of Horrors,” the new musical at Sacramento Theatre Company, is a musical adaptation of the 1960s Roger Corman science fiction movie of the same name, with book and lyrics by Howard Ashman.
Directed by Michael Laun, and choreographed by Jerald Bolden, this is the story of a strange plant from outer space that finds its way into a Skid Row flower shop, owned by the blustery Mr. Mushnik. The plant is nurtured by Seymour Krelborn, a nerdy shop clerk who likes to experiment with plants and who is madly in love with the naive and somewhat ditzy shop girl, Audrey.

Seymour sees the chance to transform his life and win the heart of Audrey when the curious plant flourishes under his care. The plant, which he names “Audrey II,” is actually a talking creature from outer space and the only way to keep it alive is by feeding it human blood.

When Seymour becomes anemic from Audrey II’s nightly feedings, he is forced to find alternative sources of nourishment for the plant, drawing Seymour into a web of greed and deception that spirals out of control. The results are both hilarious and harrowing.

Andrew J. Perez leads a marvelous cast as Seymour. With his wire-rimmed glasses, tennis shoes and timid demeanor, he makes a perfect nerd, who is determined to save this pathetic, dying plant (“Grow for Me”), and then feeling growing dread as he realizes what the plant needs to eat (“Feed Me”). He can also be tender, in his profession of love to Audrey (the girl) in their duet “Suddenly Seymour.”

Jessica Goldman totters about the stage on ultra high heels, a bit top heavy with a prominent decolletage and a longing to get out of Skid Row and move to “Somewhere That’s Green.” She is victim to her abusive boyfriend, the evil dentist Orin Scrivello (William Elsman), who regularly beats her up, but she feels she doesn’t deserve anything better because she has “a past.” Goldman gives Audrey a beautiful air of vulnerability and innocence.

You have to wonder what sort of dental experiences Ashman had in his youth, given the sadistic antics he has written for Dr. Scrivello. William Elsman is evil personified as he gyrates around the stage in black leather, alternately taking quick sniffs of laughing gas and wielding a huge drill with which to work on Seymour’s mouth.

Elsman not only plays Scrivello, but several other characters as well, male and female, and is listed in the program as “Orin and everyone else.”

Michael R.J. Campbell plays Mr. Mushnik, the flower shop owner who plucked Seymour out of an orphanage and gave him a place to sleep (on the floor of the shop, under the desk) and allows him to have one Sunday off every two weeks. I love Campbell in just about everything he does, and he does not disappoint in this role.

There is a sort of Greek chorus of school dropouts who hang around the flower shop and keep the audience up to date with what is happening. Crystal (Miranda Lawson), Ronnette (Ure Egbuho) and Chiffon (Gabriella “Ella” Isaguirre) keep the action moving and each has a moment to shine. Lawson, in particular, displays a great set of pipes whenever she steps into the spotlight.

But with all this talent, the show really belongs to Audrey II, the plant whose size increases with every scene. Jeffrey Lloyd Heatherly is the booming voice of the plant, at times frighteningly commanding, at other times deceptively whining and pleading for help.

Aaron Hitchcock is the man who really brings the plant to life and gives it such character. He is assisted by Tom Block, Javen Crosby, Daffyd Wynn and Garrick Sigl.

Music is by a small, unseen four-piece combo led by conductor Dan Pool. The wonderful set is by Jarrood Bodensteiner, with lighting design by Jessica Bertine. Jessica Minnihan’s costumes are fun — from the drab, nondescript outfit of Seymour, to the provocative dresses of Audrey, to the glitz of the do-wop girls.

Michael Laun has created a tight, fast-paced production that never fails to delight. “Little Shop of Horrors” is a lesson of what can happen when you wish for it all, get it and then have to deal with the consequences.